The Latest

He was a pioneer of the staged photography and video art. And one of the first to work as a VJ, mixing live sounds with animations and images at parties in the Netherlands in the ’ 90’s. Gerald van der Kaap rocked the art scene in so many ways.Total Hoverty is such a manipulated photo. A beautiful view of a big city, as if you’re hovering above it, built up in many layers.
Gerald van der Kaap, Total Hoverty (1992)
All rights are reserved. Photography by Peter Cox.Rabo Art Collection
Sep 19, 2014

He was a pioneer of the staged photography and video art. And one of the first to work as a VJ, mixing live sounds with animations and images at parties in the Netherlands in the ’ 90’s. Gerald van der Kaap rocked the art scene in so many ways.
Total Hoverty is such a manipulated photo. A beautiful view of a big city, as if you’re hovering above it, built up in many layers.

Gerald van der Kaap, Total Hoverty (1992)

All rights are reserved. Photography by Peter Cox.
Rabo Art Collection

'Catching the immaterial beauty of colors' The artist Jan Andriesse unites the eye of the artist with the mind of a scientist. His conceptual work is actually nothing more but the objective report of an investigation into visual phenomena as we experience them. Our observation of natural light, rainbows, water and the reflections of these elements. 
Jan Andriesse, Foto kleurenspectrum op hand (1995)
All rights are reserved. Photography by Peter Cox.Rabo Art Collection
Sep 17, 2014 / 1 note

'Catching the immaterial beauty of colors' The artist Jan Andriesse unites the eye of the artist with the mind of a scientist. His conceptual work is actually nothing more but the objective report of an investigation into visual phenomena as we experience them. Our observation of natural light, rainbows, water and the reflections of these elements. 

Jan Andriesse, Foto kleurenspectrum op hand (1995)

All rights are reserved. Photography by Peter Cox.
Rabo Art Collection

None of the senses are so intimately linked with the soul, with emotions as that of sight, of the eye. The closing-off of one’s sight of the world around us is the central theme in Desiree Dolron’s Blind series. She uses the blind eyes as a methaphor and the viewer is made aware of the distance and isolation created by the absence of a gaze.
Desiree Dolron, Morwenna (Blind series) (1994)
All rights reserved. Photography by Peter Cox.Rabo Art Collection
Sep 15, 2014 / 1 note

None of the senses are so intimately linked with the soul, with emotions as that of sight, of the eye. The closing-off of one’s sight of the world around us is the central theme in Desiree Dolron’s Blind series. She uses the blind eyes as a methaphor and the viewer is made aware of the distance and isolation created by the absence of a gaze.

Desiree Dolron, Morwenna (Blind series) (1994)

All rights reserved. Photography by Peter Cox.
Rabo Art Collection

Cardboard, latex, light, shadows, purity. Nothing and everything.Jan Schoonhoven was one of the most outspoken of the ‘Zero’ artists, remaining true to the ‘Zero’ principle for his entire career. Schoonhoven rejected the ideals of expressiveness and creativity in art professed by the CoBrA artists in the nineteen fifties. The Zero movement argued the opposite: that art should portray reality in its deepest essence. 
Jan Schoonhoven, RM 74-4 (1974)
All rights are reserved. Photography by Peter Cox.Rabo Art Collection
Sep 12, 2014 / 3 notes

Cardboard, latex, light, shadows, purity. Nothing and everything.
Jan Schoonhoven was one of the most outspoken of the ‘Zero’ artists, remaining true to the ‘Zero’ principle for his entire career. Schoonhoven rejected the ideals of expressiveness and creativity in art professed by the CoBrA artists in the nineteen fifties. The Zero movement argued the opposite: that art should portray reality in its deepest essence. 

Jan Schoonhoven, RM 74-4 (1974)

All rights are reserved. Photography by Peter Cox.
Rabo Art Collection

A little man, recognizable as such but in an amorphous shape, as if he is wearing a weird body suit. As if someone is locked up inside the sculpture, pushing his way out of it. You want to touch it, stroke the aluminum surface and feel what is going on inside. Everyday objects, shapeless masses, contrasts in material, deceiving appearances, this is the artist Tom Claassen.
Tom Claassen, Zonder titel (Untitled) (1998)
All rights are reserved. Photography by Peter Cox.Rabo Art Collection
Sep 10, 2014 / 3 notes

A little man, recognizable as such but in an amorphous shape, as if he is wearing a weird body suit. As if someone is locked up inside the sculpture, pushing his way out of it. You want to touch it, stroke the aluminum surface and feel what is going on inside. 
Everyday objects, shapeless masses, contrasts in material, deceiving appearances, this is the artist Tom Claassen.

Tom Claassen, Zonder titel (Untitled) (1998)

All rights are reserved. Photography by Peter Cox.
Rabo Art Collection

Jan Roeland has built up an oeuvre of paintings which moves between geometric abstraction and figuration. Recognizable simple topics, everyday objects like plants, ducks and aeroplanes, and the use of bright colors give his formally built up paintings some sense of humor. His canvases consist out of multiple layers of oil painting and have relatively small formats. Both fit into the old Dutch easel-painting tradition. 
Jan Roeland, Boeket (2009)
All rights are reserved. Photography by Peter Cox.Rabo Art Collection
Sep 8, 2014 / 2 notes

Jan Roeland has built up an oeuvre of paintings which moves between geometric abstraction and figuration. Recognizable simple topics, everyday objects like plants, ducks and aeroplanes, and the use of bright colors give his formally built up paintings some sense of humor. His canvases consist out of multiple layers of oil painting and have relatively small formats. Both fit into the old Dutch easel-painting tradition.

Jan Roeland, Boeket (2009)

All rights are reserved. Photography by Peter Cox.
Rabo Art Collection

'The sky is the limit'
Hans Wilschut, 3rd Avenue (2002)
All rights are reserved. Photography by Peter Cox.Rabo Art Collection
Sep 5, 2014 / 8 notes

'The sky is the limit'

Hans Wilschut, 3rd Avenue (2002)

All rights are reserved. Photography by Peter Cox.
Rabo Art Collection

Nina, a seven year old girl, indifferently posing in front of her home. A squat in Amsterdam in which she lived with her mother. This photo is one out of a serie Van Balen made of seven year old children between 1997-1999. Where would Nina be now….?
Céline van Balen, Nina (1998)
All rights are reserved. Photography by Peter Cox.Rabo Art Collection
Sep 3, 2014 / 138 notes

Nina, a seven year old girl, indifferently posing in front of her home. A squat in Amsterdam in which she lived with her mother.
This photo is one out of a serie Van Balen made of seven year old children between 1997-1999. Where would Nina be now….?

Céline van Balen, Nina (1998)

All rights are reserved. Photography by Peter Cox.
Rabo Art Collection

His art works puzzle you, it’s poetry and ik makes you look again and again and….
Sigurdur Gudmundsson, Looking Twice (1999)
All rights are reserved. Photography by Peter Cox.Rabo Art Collection
Sep 1, 2014 / 4 notes

His art works puzzle you, it’s poetry and ik makes you look again and again and….

Sigurdur Gudmundsson, Looking Twice (1999)

All rights are reserved. Photography by Peter Cox.
Rabo Art Collection

'The main thing I'm concerned with is how the light falls on pale skin, bruises on an arm, the beginnings of goose bumps in the cold. I'm also spending a lot of time on the mise en scène. The clothes have to be right, for example, the colours, the look and the posture has to match the image that I see in my head. Which is very detailed - right down to the nail polish.' Within these boundaries, Van Meene and her models create an atmosphere in which the images come about.
Hellen van Meene, The Secret Lives of Girls (2012)
All rights are reserved. Photography by Peter Cox. Rabo Art Collection
Aug 29, 2014 / 1 note

'The main thing I'm concerned with is how the light falls on pale skin, bruises on an arm, the beginnings of goose bumps in the cold. I'm also spending a lot of time on the mise en scène. The clothes have to be right, for example, the colours, the look and the posture has to match the image that I see in my head. Which is very detailed - right down to the nail polish.' Within these boundaries, Van Meene and her models create an atmosphere in which the images come about.

Hellen van Meene, The Secret Lives of Girls (2012)

All rights are reserved. Photography by Peter Cox. 
Rabo Art Collection

Breukel creates a bond with the subjects of his portraits through his wooden, large format camera on a tripod. When his head disappears under the dark cloth, he leaves the subjects alone with their thoughts, fears, and questions.
Koos Breukel, Charlotte Dumas (2005)
All rights are reserved. Photography by Peter Cox. Rabo Art Collection
Aug 27, 2014 / 1 note

Breukel creates a bond with the subjects of his portraits through his wooden, large format camera on a tripod. When his head disappears under the dark cloth, he leaves the subjects alone with their thoughts, fears, and questions.

Koos Breukel, Charlotte Dumas (2005)

All rights are reserved. Photography by Peter Cox. 
Rabo Art Collection

Van Elk has an eye to the photographic illusion and the artistic abstraction that can bestow so many different meanings on a presentation or image. 
Ger van Elk, Sketch for Seven Cubist Mouth Pieces (1979)
All rights are reserved. Photography by Peter Cox. Rabo Art Collection
Aug 25, 2014 / 3 notes

Van Elk has an eye to the photographic illusion and the artistic abstraction that can bestow so many different meanings on a presentation or image. 

Ger van Elk, Sketch for Seven Cubist Mouth Pieces (1979)

All rights are reserved. Photography by Peter Cox. 
Rabo Art Collection

Car windscreens, goose feet, graphite, advertisement photos, sheep’s wool, rusting steel – all have been used in Carel Visser sculptures. 
Carel Visser, Voyageant (1992)
All rights are reserved. Photography by Peter Cox. Rabo Art Collection
Aug 22, 2014 / 2 notes

Car windscreens, goose feet, graphite, advertisement photos, sheep’s wool, rusting steel – all have been used in Carel Visser sculptures. 

Carel Visser, Voyageant (1992)

All rights are reserved. Photography by Peter Cox. 
Rabo Art Collection

Light, space and time make us aware of what surrounds us. For JCJ Vanderheyden, this concept is at once both the starting point and the conclusion. 
JCJ Vanderheyden, L’Oeuf Rouge (1965) 
All rights are reserved. Photography by Peter Cox. Rabo Art Collection
Aug 20, 2014 / 1 note

Light, space and time make us aware of what surrounds us. For JCJ Vanderheyden, this concept is at once both the starting point and the conclusion. 

JCJ Vanderheyden, L’Oeuf Rouge (1965) 

All rights are reserved. Photography by Peter Cox. 
Rabo Art Collection

Imposing sizes, up-front subjects, savage colour fields and bold lines; these are the elements from which Bas Meerman constructs his paintings, lithographs and drawings. Meerman finds his inspiration in the tradition of predecessors like Edouard Manet (1832-1883), while at the same time feeling the urge to innovate. 
Bas Meerman, Sweet Dreams (1999)
All rights are reserved. Photography by Peter Cox. Rabo Art Collection
Aug 18, 2014 / 2 notes

Imposing sizes, up-front subjects, savage colour fields and bold lines; these are the elements from which Bas Meerman constructs his paintings, lithographs and drawings. Meerman finds his inspiration in the tradition of predecessors like Edouard Manet (1832-1883), while at the same time feeling the urge to innovate. 

Bas Meerman, Sweet Dreams (1999)

All rights are reserved. Photography by Peter Cox. 
Rabo Art Collection